06. Cul de Sac —
Imagine yourself driving a car, more improvised cartography. In fact, it came to me after driving the other way in roundabouts in London. Here six avenues tipped with dead ends converge towards a round about. Each dead end has a particular atmosphere the player can explore and develop. The musicians travel simultaneously towards the dead ends, staying there or leaving, using the avenues with their "binaire" feel and the round about with its "ternaire" feel.


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